Yan Pei-Ming, A Burial in Shanghai

Yan Pei-Ming, A Burial in Shanghai

September 1, 2019 January 12, 2020 Exhibition has ended
When he arrived in France in 1980, aged twenty, Yan Pei-Ming immediately headed to Ornans, Gustave Courbet's territory. Thirty-nine years later, considered one of the most masterful painters of our time, he was inspired by A Burial at Ornans, a masterpiece of realism, to create A Burial in Shanghai, specially designed for the Musée d'Orsay to celebrate the 200th anniversary of Courbet's birth.
Self-Portrait 2009 - Yan Pei-Ming
Contemporary engravings

Engraving Self-Portrait - Yan Pei-Ming

KM011433
  • € 290
History painter and portrait painter, Yan Pei-Ming was invited in 2009 by the Louvre Museum to dialogue with the collection, in the heart of the painting department, Salon Denon. He chose to work on the world's most famous masterpiece, the Mona Lisa, which he reappropriated, probing the icon and paying tribute to Western painting. Yan Pei-Ming then proposed a huge polyptych and brought together the Mona Lisa, his father's portrait and the artist's self-portrait in the morgue.

The artist, who works mainly in series and in two-colour printing - grey and white, black and white or red and white - and whose technique has often been compared for its precision and dazzling precision to that of the samurai, presents a figurative and monumental work.

In addition to the figures of Mao, Bruce Lee, the Pope and recently Obama, the theme of the self-portrait is extremely recurrent in his work. It deals with both his identity and his memory: "I have done many self-portraits. There was no model, I was doing a self-portrait. When I arrived in Europe, I took a trip to Amsterdam and saw Rembrandt's self-portraits. (...) Looking at his self-portraits, we can see the passing of time. It's so extraordinary, it confused me. I said to myself: I'll think about it and for the last ten years I've been thinking. " (Yan Pei-Ming and his models, interview with Laurent Salomé, 1997, in Yan Pei-Ming, Exécution, les Presses du réel, 2006)

Born in 1960 in Shanghai, Yan Pei-Ming is a propaganda painter under Mao's People's China. A graduate of the Ecole Nationale Supérieure des Beaux-Arts in Dijon, he studied from 1988 and 1989 at the Institut des Hautes Etudes en Arts Plastiques in Paris under the direction of Pontus Hulten. From 1993 to 1994, he was a resident at the Villa Médicis, at the Académie de France in Rome

After having made several lithographs, Yan Pei-Ming made his first engraving for the Louvre. It is a self-portrait with long hair, half-woman, half Indian, drawn with finesse, based on the contrasts of black and white, her two favourite colours.
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