Splashes Hippopotamus - François Pompon

Splashes Hippopotamus - François Pompon

RF205938
Our reproduction has been decked out in a coat flecked with gold, a tribute to the animal sculptor's interest in the Japanese aesthetic that was very much in vogue in artistic circles at the time.
In an upcycling approach, the moulding workshop has chosen to take advantage of the wear and tear suffered...
Read more
-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From {{ lowestprice.prices.user.price_tax_display }} {{ lowestprice.prices.user.price_strike_tax_display }} {{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ lowestprice.prices.suggested.price_tax_display }} {{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
{{ selectedVariant.prices.user.price_tax_display }} {{ selectedVariant.prices.user.price_strike_tax_display }} {{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ selectedVariant.prices.suggested.price_tax_display }} {{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by Réunion des Musées Nationaux

Characteristics

Maintenance
Do not expose to a direct heat source. Cleaning: soft, dry cloth
Museum
Musée d'Orsay
Themes
Animals, Sculpture
Material of the original work
Bronze
Artist
François Pompon (1855-1933)
Art movement
French art
Reference
RF205938
EAN
3336729256174
Matière de l'article
Hand-patinated resin
Model dimensions
7cm x 7cm x 24.5cm
Original work kept at
Paris, musée d'Orsay

Our selection

European Art

The work and its artist

François Pompon (1855-1933)

Son of a cabinetmaker, François Pompon entered the school of fine arts (Ecole des Beaux-Arts) of Dijon after having earned his living in Saulieu as a stone and wood worker. He studied architecture and sculpture and acquired basic knowledge in engraving.In 1874, he left for Paris and, thanks to contacts with contractors transforming Paris during the Second Empire, was able to produce decorative figures and caryatids for the façade of City Hall. For the next fifteen years, he worked as Rodin's assistant.It was only at the age of 67, with the 1922 Salon, that he attained success with the "White Bear".Especially known as a sculptor of animals, he exalted lyricism in light by polished surfaces with an economy of detail.After having been placed at the "Jardins des Plantes", the three hundred pieces bequeathed by F. Pompon were transferred to Dijon, at the Musée des Beaux-Arts.