Exhibition catalogue Collection Planque - L'exemple de Cézanne

Exhibition catalogue Collection Planque - L'exemple de Cézanne

EK195874
This catalogue accompanies the exhibition The Planque Collection - The example of Cézanne at The Musée Granet in Aix-en-Provence until October 2nd 2011.
-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From {{ lowestprice.prices.user.price_tax_display }} {{ lowestprice.prices.user.price_strike_tax_display }} {{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ lowestprice.prices.suggested.price_tax_display }} {{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
{{ selectedVariant.prices.user.price_tax_display }} {{ selectedVariant.prices.user.price_strike_tax_display }} {{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ selectedVariant.prices.suggested.price_tax_display }} {{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by Réunion des Musées Nationaux

Characteristics

Number of pages
311
Museums
Autres musées, Musée d'Orsay
Art movement
Modern & Contemporary Art
Number of illustrations
200
Artist
Paul Cézanne (1839-1906)
Reference
EK195874
EAN
9782711858743
Publication date
Mai 2011
Diffusor
EDITIONS FLAMMARION
Distributor
EDITIONS FLAMMARION
Conservation museum
Aix-en-Provence - Musée Granet

Our selection

Exhibition Catalogues

Client Reviews

Babelio Reviews

5 / 5
Tyresias 3/26/24
L'oeil de Planque "Faire l'amour avec l'oeuvre d'art. Jamais demander avis à quiconque. Jamais regarder la signature. Seule la stupéfaction présente et totale. [...] Un tableau n'est que parce que ...Read more...

The work and its artist

Paul Cézanne (1839-1906)

Born in France, he studied painting at the Swiss Academy and forged links with the future Impressionists. In 1886, Zola, his friend Zola, dates him, uses him as a model to describe a failed painter. This is the end of their long friendship. On the other hand, he still has a very good relationship with Pissarro, whom he worships as a master: he works with him for two years but in 1877, he splits off from this movement. His research made him the precursor of cubism: drawing and colour became inseparable from the arrangement of the painting, which was organized from the inside.