FRENCH LANGUAGE
This book brings together a series of studies in which Renaissance humanism is revealed in certain figurative objects. It shows how resemblance both worries and is worried, delivering its symptoms beyond all the iconographic signs that can be recognized in it. Whether it is the Black...
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FRENCH LANGUAGE
This book brings together a series of studies in which Renaissance humanism is revealed in certain figurative objects. It shows how resemblance both worries and is worried, delivering its symptoms beyond all the iconographic signs that can be recognized in it. Whether it is the Black Death, pathetic expression, portraiture or the multiple figurative uses of wax, in all cases humanism will have shown its unthought of malaise, its constitutive crack: a fatal alteration which is a vocation to otherness.
French language
232 pages
Éditions Gallimard
Collection Art et Artistes
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