Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896
Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896
Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896
Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896
Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896

Long notebook Alphonse Mucha - Sarah Bernhardt The Lady of the Camellias, 1896

IP152006
This notebook was published on the occasion of the exhibition "Sarah Bernhardt And the woman created the star" at the Petit Palais Musée des Beaux Arts of the City of Paris from April 14th 2023 to August 27th 2023.

Alphonse Mucha (1860-1939)
The Lady of the Camellias (detail), 1896
Colour lithograph...
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Characteristics

Dimensions
10 x 21 cm
Material of the original work
papier
Artists
Alfons Mucha (1860 - 1939), Sarah Bernhardt
Art movement
Art Nouveau
Maintenance
Store in a dry place
Museums
Petit Palais Musée des Beaux-Arts de la Ville de Paris, Grand Palais Immersif
Theme
Women
Reference
IP152006
EAN
3336729231768
Matière de l'article
Paper
Conservation museum
Mucha Foundation

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The work and its artist

Alfons Mucha (1860 - 1939)

Alfons Mucha (1860 - 1939)

Emblematic figure of Art Nouveau, Alfons Mucha is a Czechoslovakian artist who was a poster artist, an illustrator, a graphic designer, a painter and an history teacher. Mucha's works are characterized by the use of shimmering colors, female figures are omnipresent and evolve in harmony with a flowery and refined nature. The white skins of his models recall the pallor of Slavic women, the artist thus affirming his Czech identity marked by Byzantine and Orthodox influences. It is with his posters, especially for stars of the time that Mucha had his first successes. His illustrations are literally ripped off in the street, as when he made the posters of the very popular Sarah Bernhardt. Ornamental and refined, Mucha's Art Nouveau has never ceased to fascinate since his death in 1939.
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