Heinz Berggruen, a dealer and his collection Picasso – Klee – Matisse – Giacometti. Masterpieces from the Museum Berggruen/Neue Nationalgalerie Berlin

Heinz Berggruen, a dealer and his collection

October 2, 2024 January 27, 2025 Exhibition has ended

Along the same lines as Paul Guillaume, German dealer-collector Heinz Berggruen built up an exceptional collection of 20th century masters. This exhibition explores the relationship of this unusual gallery owner with his artists and his art market network in post-war Paris.

Exhibition Catalogues

Picasso, Klee, Matisse, Giacometti: The Eye of Collector-Dealer Heinz Berggruen - Exhibition catalog

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WRITTEN IN FRENCH

Heinz Berggruen's life and career were anything but predictable. Born into a Jewish family in Berlin in 1914, he emigrated to the United States in 1936, with just ten German marks to his name. He initially studied literature and then was introduced to the world of art at the San Francisco Museum of Modern Art; after World War II, he returned to Europe and opened his first art gallery, in Paris, in 1947.
Both a passionate collector and dealer, Berggruen was guided by his own personal tastes and an unfailing loyalty to his favorite artists, gradually assembling an extraordinary private collection of twentieth-century art. This collection, which has constituted the Museum Berggruen / Neue Nationalgalerie in Berlin since 1996, includes more than a hundred masterpieces by Pablo Picasso, Paul Klee, Henri Matisse, and Alberto Giacometti.
Paying tribute to Berggruen's discerning eye, this volume provides a new understanding of the collector-dealer's artistic tastes.

Exhibition at the musée de l'Orangerie - Valéry Giscard d'Estaing from October 02nd, 2024 to January 27th, 2025.

French
192 pages

Éditions Flammarion
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Heinz Berggruen, a dealer and his collection

Picasso - Klee - Matisse - Giacometti. Masterpieces from the Museum Berggruen/Neue Nationalgalerie Berlin


It would be wrong to describe the life of Heinz Berggruen as destiny.

He was born to a Jewish family in Berlin, and sought refuge in California at the dawn of the Second World War. After studying in France, his first contacts with the art world were in San Francisco. When the war was over, Berggruen preferred to return to Europe, first to his native country as a journalist, and then to the UNESCO headquarters in Paris. He became weary and little by little made his way into the art market: first he had a gallery on Place Dauphine, and then moved permanently to Rue de l'Université where he specialized in graphic arts of modern artists.

The exhibition on video

He was passionate about his work and quickly made contacts in the Paris world of culture, and met not just artists to exhibit but also poets, art dealers, historians, critics and collectors of the time. Berggruen made a name for himself in the capital and due to his great success became "his best client". Guided by his own tastes and affinities, he built up a solid collection of 20th century works from his favorite masters: Picasso and Klee.

Paysage en bleu [Landschaft in Blau] 1917. Aquarelle, crayon, stylo et encre sur papier apprêté sur carton. 18,3 × 24,5 cm. Prêt de la famille Berggruen Photo © Bpk / Nationalgalerie, SMB, Museum Berggruen / Jens Ziehe
Fleurs célestes au-dessus de la maison jaune (La maison élue). Allemagne, Berlin, Nationalgalerie, Museum Berggruen (SMB) © BPK, Berlin, Dist. GrandPalaisRmn / Jens Ziehe
Nu bleu, sauteuse de corde 1952. Gouache découpée sur papier. 145 × 98 cm Photo © Bpk / Nationalgalerie, SMB, Museum Berggruen / Jens Ziehe © Succession H. Matisse 2024

The exhibition layout, between monographs and theme-based focuses, emphasizes above all Berggruen's specific and personal tastes. Although it is clear that it will almost exhaustively highlight the entire careers of Picasso and Klee, as well as Matisse's remarkable cut-outs and Giacommeti's skinny sculptures, the exhibition will revolve around Heinz Berggruen, his choices, his encounters and his affinities that guided the creation of this collection.
Donated to the German state in 2000, a few years before the collector's death, this vast collection resonates particularly with the Walter-Guillaume collection at musée de l'Orangerie Around a hundred masterpieces by Picasso, Klee, Matisse and Giacometti serve to raise the profile of a major player in Parisian art from the second half of the 20th century.


Curatorship

  • Claire Bernardi, Director of the musée de l'Orangerie and Dr. Gabriel Montua, Director of the Museum Berggruen

  • Guillaume Fabius, Assistant Curator at musée de l'Orangerie and Veronika Rudorfer, Research Associate at Museum Berggruen

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