Magnet Tarsila do Amaral - Carnaval em Madureira, 1924

IS201748
This magnet was published for the exhibition "Tarsila do Amaral Painting modern Brazil" at musée du Luxembourg from October 9, 2024 to February 5, 2025

Tarsila do Amaral (1886-1973)
Carnaval em Madureira [Carnival in Madureira], 1924.
Oil on canvas. H. 76 ; l. 63,5 cm.
Fundação José and Paulina Nemirovsky...
Read more
-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From {{ lowestprice.prices.user.price_tax_display }} {{ lowestprice.prices.user.price_strike_tax_display }} {{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ lowestprice.prices.suggested.price_tax_display }} {{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
{{ selectedVariant.prices.user.price_tax_display }} {{ selectedVariant.prices.user.price_strike_tax_display }} {{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price {{ selectedVariant.prices.suggested.price_tax_display }} {{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by GrandPalaisRmn

Characteristics

Maintenance
Placer dans un endroit sec
Museum
Musée du Luxembourg
Art movement
20th century
Material of the original work
Huile sur toile
Artist
Tarsila do Amaral (1886-1973)
Reference
IS201748
EAN
3336729266012
Matière de l'article
Metal alloys
Model dimensions
5.4cm x 7.9cm
Editor
© Tarsila do Amaral
Original work kept at
São Paulo, Fundação José

Our selection

Magnets

The work and its artist

Tarsila do Amaral (1886-1973)

A central figure in Brazilian modernism, Tarsila do Amaral (1886-1973) created an original and evocative body of work, drawing on the indigenous, popular and modern imaginations of a country in the throes of transformation. In Paris in the 1920s, she tested her iconographic universe against cubism and primitivism, before initiating the "anthropophagic" movement in São Paulo, which advocated "devouring". Her brightly coloured landscapes gave way to unusual and fascinating visions, before a more overtly political dimension appeared in her paintings of the 1930s.