Reading the painting. In the intimacy of the works
				
					MX031187				
				
												
				WRITTEN IN FRENCH
Every exhibition visitor, every student, every attentive viewer of painting, is confronted with the same questions when looking at a painting: when was it painted? By whom? What does it tell? What means did the painter use to arouse pleasure, emotion?
READING PAINTING, IN THE INTIMACY...			
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				WRITTEN IN FRENCH
Every exhibition visitor, every student, every attentive viewer of painting, is confronted with the same questions when looking at a painting: when was it painted? By whom? What does it tell? What means did the painter use to arouse pleasure, emotion?
READING PAINTING, IN THE INTIMACY OF THE WORKS, answers these questions and offers the reader a way to approach the works, to explore them. This reading grid is organized into six major stages: the identity card, the subject, the composition, the drawing and color, the human figure, the styles. Iconography and its commentary play a fundamental role in this work. Close-ups emphasize the importance of certain details and lines reveal the principles of construction of the works.
READING PAINTING, IN THE INTIMACY OF THE WORKS, distinguished for its educational qualities, is an essential work for amateurs as well as for teachers and students of visual arts or art history.
French
288 pages
Larousse Publishing			
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