Notepad Paul Cezanne - Apples and Biscuits, 1880

IP600023

This round-shaped notebook with repositionable notes is illustrated with a detail of the work by Paul Cézanne, Apples et biscuits, 1880, kept at the Musée de l'Orangerie.

Paul Cézanne (1839-1906)
Apples and biscuits (detail), 1880.
Oil on canvas. H. 45 ; L. 55 cm.
Paris, musée de l'Orangerie.
© Photo...

-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From Current price{{ lowestprice.prices.user.price_tax_display }} Old price{{ lowestprice.prices.user.price_strike_tax_display }} Current price{{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ lowestprice.prices.suggested.price_tax_display }} Old price{{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
Current price{{ selectedVariant.prices.user.price_tax_display }} Old price{{ selectedVariant.prices.user.price_strike_tax_display }} Current price{{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ selectedVariant.prices.suggested.price_tax_display }} Old price{{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Item unavailable Get alerted when it comes back in stock
Last available items
Sold by GrandPalaisRmn

Characteristics

Maintenance
Store in a dry place
Material of the original work
papier
Artist
Paul Cézanne (1839-1906)
Art movements
Impressionism, Post-Impressionism, Cubism
Printing Technique
Huile sur toile
Museum
Musée de l’Orangerie
Theme
Still Life
Reference
IP600023
EAN
3336729308774
Matière de l'article
Coated paper
Model dimensions
7cm
Editor
© Photo GrandPalaisRmn
Conservation museum
Paris - Musée de l’Orangerie

Recently viewed products

The work and its artist

Paul Cézanne (1839-1906)

Paul Cézanne (1839-1906)

Born in France, he studied painting at the Swiss Academy and forged links with the future Impressionists. In 1886, Zola, his friend Zola, dates him, uses him as a model to describe a failed painter. This is the end of their long friendship. On the other hand, he still has a very good relationship with Pissarro, whom he worships as a master: he works with him for two years but in 1877, he splits off from this movement. His research made him the precursor of cubism: drawing and colour became inseparable from the arrangement of the painting, which was organized from the inside.
See all products of this artist

Delivery

Shipping in 1-2 business days according to the method of delivery chosen

Satisfied?

14 days to change your mind

Secure payment

Secure payment solution by Verifone

Contact us

Our team is available for any questions or requests