Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova
Psyche Revived by Cupid's kiss - Antonio Canova

Sculpture Psyche Revived by Cupid's kiss Antonio Canova

RI017201

Reproduction with hand patina. Mold made from an impression of the original work exhibited in the Louvre.

The legend of Cupid and Psyche greatly inspired the neoclassical sculptors of the late 18th century. Canova was no exception to the rule, depicting numerous versions. In the one in the Louvre...

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Characteristics

Dimensions
31 x 22 x 33 cm
Material of the original work
Marbre blanc
Artist
Antonio Canova (1757-1822)
Art movement
Neo-Classicism
Maintenance
Ne pas exposer à une source de chaleur directe. Nettoyage : chiffon doux et sec
Museum
Musée du Louvre
Themes
Love, Made in France
Reference
RI017201
EAN
3336728728207
Matière de l'article
Resin
Conservation museum
Paris - Musée du Louvre

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The work and its artist

Antonio Canova (1757-1822)

Antonio Canova (1757-1822)

Antonio Canova is an Italian sculptor from the Republic of Venice, famous for his marble sculptures that delicately illustrate bare flesh. They include Psyche Revived by Cupid's Kiss(1793) and The Three Graces (1814). His work, considered the epitome of the Neoclassical style, marks a return to classical refinement after the excesses of baroque sculpture. A self-described amateur painter, Antonio Canova pursued this activity between 1780 and 1799, helping him define his own canons of feminine beauty.

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