Since 1989, the Louvre Museum and the Réunion des musées nationaux have entrusted contemporary artists with the task of producing engraved plates for Chalcography, which ensures the exclusivity of the print run, without limitation on the number of prints.
Intertwined from the root, the country flowers ...
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Since 1989, the Louvre Museum and the Réunion des musées nationaux have entrusted contemporary artists with the task of producing engraved plates for Chalcography, which ensures the exclusivity of the print run, without limitation on the number of prints.
Intertwined from the root, the country flowers grow, stretch and collapse with the wind.
A dialogue is established from its stems which caress and collide at the centre of the ordeal. They dance and accompany their volatile seed, transcribed by fine dots scattered in the air.
This theme of nature, the language of flowers, and their sexuality, is characteristic of Mireille Gros' work on paper.
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