Pourquoi c'est connu ? Le fabuleux destin des grandes icônes du XIXe siècle
Pourquoi c'est connu ? Le fabuleux destin des grandes icônes du XIXe siècle
Pourquoi c'est connu ? Le fabuleux destin des grandes icônes du XIXe siècle

Pourquoi c'est connu ? Le fabuleux destin des grandes icônes du XIXe siècle

GB106433
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Characteristics

Number of pages
160
Dimensions
16,4 x 24,2 x 1,6 cm
Artists
Berthe Morisot (1841-1895), Edouard Manet (1832-1883), Auguste Rodin (1840-1917), Honoré Daumier (1808-1879), Gustave Courbet (1819-1877), Camille Pissarro (1830-1903), Gustave Caillebotte (1848-1894), Jean-Baptiste Camille Corot (1796-1875), Ignace Henri Jean Fantin-Latour (1836-1904), Jean-François Millet (1814-1875)
Number of illustrations
100
Museums
Musée d'Orsay, Musée et domaine nationaux du château de Fontainebleau, Musée des Beaux-Arts de Lyon
Art movements
20th century, 19th century, Impressionism, Symbolism, Neo-Impressionism, Nabis, Fauvism, Barbizon School, Second Empire
Reference
GB106433
EAN
9782711864331
Size of the book
Paperback with flap
Publication date
Octobre 2017
Diffusor
EDITIONS FLAMMARION
Distributor
EDITIONS FLAMMARION
Conservation museum
Paris - Musée d'Orsay

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Literature & essays

The work and its artist

Berthe Morisot (1841-1895)

Berthe Morisot (1841-1895)

A major figure in Impressionism, Berthe Morisot remains less well known today than his friends Monet, Degas and Renoir. Yet she was immediately recognized as one of the group's most innovative artists. Painting after a model allows Berthe Morisot to explore several themes of modern life, such as the intimacy of bourgeois life, the taste for resorts and gardens, the importance of fashion, women's domestic work, while blurring the boundaries between interior/exterior, private/public, finished/unfinished. For her, painting must strive to "fix something of what is going on". Modern subjects and speed of execution therefore have to do with the temporality of representation, and the artist is tirelessly confronted with the ephemeral and the passage of time. Thus his latest works, characterized by a new expressiveness and musicality, invite us to a melancholic mediation on these relationships between art and life.
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