The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres
The Stamati family - Pierre Munier according to Ingres

Engraving The Stamati family - Pierre Munier according to Ingres

KM006488

Engraver: Pierre MUNIER
From the original by Jean Auguste Dominique INGRES

Engraving prior to 1850 - etching, chisel

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Characteristics

Delivery
Orders are shipped within 3 weeks right from Ateliers d'Art
Maintenance
Eviter toute source d'humidité et de lumière directe. Ne pas plier la feuille
Size of the sheet
65x50cm
Artist
Jean-Auguste Dominique Ingres (1780-1867)
Art movement
Neo-Classicism
Dimensions
65 x 50 cm
Printing Technique
Eau-forte, burin
Museum
Musée du Louvre
Themes
Portrait, Made in France
Reference
KM006488
EAN
3336727376928
Matière de l'article
Hahnemühle paper
Editor
Ateliers d'art de la Rmn-GP
Conservation museum
Paris - Chalcographie du musée du Louvre

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(2) Jean Auguste Dominique Ingres (1780-1867)

Jean-Auguste Dominique Ingres (1780-1867)

With a sculptor, ornamentalist and miniaturist father, Jean Auguste Dominique Ingres grew up in an environment conducive to the development of his talents as a draftsman. He began his studies at the Royal Academy of Fine Arts in Toulouse, and perfected his skills with the painter Jacques-Louis David. The latter introduced her to the neoclassical movement, a movement that would inspire her throughout her life. His painting "Les Ambassadeurs d'Agamemnon" earned him the Prix de Rome in 1801. A few years after this success, the painter continued his teaching at the Villa Médicis. His works were the subject of numerous criticisms in Paris and forced him to extend his stay in Italy. It was only in 1824 that his painting, the "Vow of Louis XIII", became known for his painting.
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