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Tarsila do Amaral - Exhibition catalog

EC408021

WRITTEN IN FRENCH

« I feel more and more Brazilian. I want to be the painter of my country. »
(Tarsila do Amaral, 1923)

A central figure in Brazilian art and the artistic and cultural revival of the early twentieth century known as "modernismo", Tarsila do Amaral (1886-1973) is undoubtedly one of the...

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Characteristics

Number of pages
208
Dimensions
24,5x29x2 cm
Artist
Tarsila do Amaral (1886-1973)
Number of illustrations
160
Museum
Musée du Luxembourg
Art movement
20th century
Reference
EC408021
EAN
9782711880218
Size of the book
Bound full paper without cover
Editor
GrandPalaisRmnÉditions
Publication date
2 octobre 2024
Diffusor
EDITIONS FLAMMARION
Distributor
EDITIONS FLAMMARION

Our selection

Exhibition Catalogues

Babelio Reviews

5 / 5
lautre_magda 2/7/25
Voilà un très beau catalogue d'exposition, me permettant de combler le manque des expos en visu,( difficile de plus en plus de me rendre à Paris pour profiter des expos qui m'intéressent, il est deven...Read more...
theliteraryvoyager 1/19/25
J'attendais d'avoir vu l'exposition "Tarsila do Amaral, réinventer le Brésil moderne" actuellement au Musée du Luxembourg avant d'écrire ici mon retour sur le catalogue. C'est désormais chose faite ! ...Read more...
soletrvn 12/24/24
La couverture est agréable au toucher et les couleurs sont bien choisies, c'est vraiment un bel objet, qui trône joliment dans ma bibliothèque. Le texte est hyper informatif, bien édité et on n'en ...Read more...

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The work and its artist

Tarsila do Amaral (1886-1973)

Tarsila do Amaral (1886-1973)

A central figure in Brazilian modernism, Tarsila do Amaral (1886-1973) created an original and evocative body of work, drawing on the indigenous, popular and modern imaginations of a country in the throes of transformation. In Paris in the 1920s, she tested her iconographic universe against cubism and primitivism, before initiating the "anthropophagic" movement in São Paulo, which advocated "devouring". Her brightly coloured landscapes gave way to unusual and fascinating visions, before a more overtly political dimension appeared in her paintings of the 1930s.

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