Jeune femme assise sur un sofa (détail) (acrylic panels)

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Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels Acrylic Panels

About the Artwork

Jeune femme assise sur un sofa (détail)

Jeune femme assise sur un sofa (détail)

Original work by: Morisot, Berthe Berthe Morisot (1841-1895) Jeune femme assise sur un sofa (détail), vers 1879 i Huile sur toile. H. 80,6 ; L. 99,7 cm i New York, The Metropolitan Museum of Art; Partial and Promised Gift of Mr and Mrs Douglas Dillon, 1992 i © Photo The Metropolitan Museum of Art, dist. Rmn-GP - image of the MMA © Rmn - Grand Palais, Paris 2019 - IC 01 2602

Berthe Morisot (1841-1895)

The work and its artist

Berthe Morisot (1841-1895)

Berthe Morisot (1841-1895)

A major figure in Impressionism, Berthe Morisot remains less well known today than his friends Monet, Degas and Renoir. Yet she was immediately recognized as one of the group's most innovative artists. Painting after a model allows Berthe Morisot to explore several themes of modern life, such as the intimacy of bourgeois life, the taste for resorts and gardens, the importance of fashion, women's domestic work, while blurring the boundaries between interior/exterior, private/public, finished/unfinished. For her, painting must strive to "fix something of what is going on". Modern subjects and speed of execution therefore have to do with the temporality of representation, and the artist is tirelessly confronted with the ephemeral and the passage of time. Thus his latest works, characterized by a new expressiveness and musicality, invite us to a melancholic mediation on these relationships between art and life.
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