Water lilies stole - Orangerie Museum

Water lilies stole - Orangerie Museum

CH100342

This silk stole is inspired by the fascinating Nymphéas (water lilies) of Claude Monet.

For nearly thirty years Monet was interested in the representation of the same plant species: the water lily. The first canvases, painted from 1897 onwards, are small, almost square. More than two hundred and fifty canvases were painted on this theme: nature in its primordial forms: water, light, vegetation, flower stains. Wishing to participate in the Victory of 1918, Monet proposed to offer two large panels to the State and asked Clémenceau to act as a middleman: these eight vast compositions were eventually installed, after the death of the painter but according to his instructions, in two large oval rooms of the Orangerie.
The Giverny estate was the place where the artist Claude Monet created his most remarkable group of compositions, the Water Lilies, which became the central theme of his paintings throughout the seasons. These masterpieces bear witness to the unique sensitivity of the painter who, throughout his career, was able to capture with virtuosity the subtle variations of light on his water lily pond.

Finish: Hand-rolled hem.
Hand-rolled is a refined hemming technique based on the skills of hand sewing.
The craft of roulotting, once widespread in France, is now disappearing. Only a few well-known brands still practice it.

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Characteristics

Maintenance
Dry cleaning
Museums
Musée d'Orsay, Musée de l’Orangerie, Musée de Grenoble, Musée des Beaux-Arts de Lyon, Musée franco-américain Château et domaine de Blérancourt
Material
Silk 100%
Printing Technique
Impréssion numerique
Artist
Claude Monet (1840-1926)
Art movement
Impressionism
Reference
CH100342
EAN
3336728349303
Model dimensions
160cm x 32cm
Conservation museum
Paris - Musée de l’Orangerie

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The work and its artist

Claude Monet (1840-1926)

Born in 1840, Claude Monet forged his artistic talent in Le Havre, painting natural landscapes in the open air. His career took a decisive turn in 1872 when he settled in Argenteuil, where he became a meeting point for major artists such as Renoir, Sisley, Manet, Pissarro and Caillebotte. The year 1874 marked a historic moment: at an alternative exhibition to the official Salon, he presented 'Impression, Rising Sun', the work that would give Impressionism its name. This new artistic movement, of which he became the undisputed leader, revolutionised art by focusing on capturing natural light rather than faithfully reproducing reality. His move to Giverny in 1883 ushered in a crucial period in his career, during which he devoted himself in particular to his famous water lily pond, the subject of twelve paintings produced over a decade. At last, at the age of 49, a retrospective exhibition at the Galerie Petit brought him unanimous critical acclaim.