Cezanne à Aix

MX041149

WRITTEN IN FRENCH

Cezanne is more at home than ever in Aix-en-Provence, the city where he was born, grew up and learned the rudiments of his art, and where is tirelessly returned to live and create. To walk in the footsteps of the "father of moderrn art", you must travel around Aix and its surroundings...

-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From Current price{{ lowestprice.prices.user.price_tax_display }} Old price{{ lowestprice.prices.user.price_strike_tax_display }} Current price{{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ lowestprice.prices.suggested.price_tax_display }} Old price{{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
Current price{{ selectedVariant.prices.user.price_tax_display }} Old price{{ selectedVariant.prices.user.price_strike_tax_display }} Current price{{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ selectedVariant.prices.suggested.price_tax_display }} Old price{{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by GrandPalaisRmn

Characteristics

Number of pages
64
Dimensions
21,0× 28,5× 0,7 cm
Art movement
Post-Impressionism
Number of illustrations
100
Artist
Paul Cézanne (1839-1906)
Reference
MX041149
EAN
9782878443936
Size of the book
Paperback with flap
Editor
Faton
Publication date
22 août 2025

Recently viewed products

The work and its artist

Paul Cézanne (1839-1906)

Born in France, he studied painting at the Swiss Academy and forged links with the future Impressionists. In 1886, Zola, his friend Zola, dates him, uses him as a model to describe a failed painter. This is the end of their long friendship. On the other hand, he still has a very good relationship with Pissarro, whom he worships as a master: he works with him for two years but in 1877, he splits off from this movement. His research made him the precursor of cubism: drawing and colour became inseparable from the arrangement of the painting, which was organized from the inside.