Magnet Elisabeth Louise Vigee Le Brun - Portrait of Queen Marie-Antoinette "with the Rose", 1783

IS210017

Élisabeth Louise Vigee Le Brun (1755-1842)
Portrait of Queen Marie-Antoinette "with the Rose" (detail), 1783
Oil on canvas. H. 113 ; W. 87 cm
Versailles, Musée des Château de Versailles et de Trianon
© Photo Château de Versailles, dist. GrandPalaisRmn / C.Fouin

-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From Current price{{ lowestprice.prices.user.price_tax_display }} Old price{{ lowestprice.prices.user.price_strike_tax_display }} Current price{{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ lowestprice.prices.suggested.price_tax_display }} Old price{{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
Current price{{ selectedVariant.prices.user.price_tax_display }} Old price{{ selectedVariant.prices.user.price_strike_tax_display }} Current price{{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ selectedVariant.prices.suggested.price_tax_display }} Old price{{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by GrandPalaisRmn

Characteristics

Dimensions
6,5 x 6,5 cm (2.5 x 2.5 ")
Engraving date
1783
Museum
Musée des châteaux de Versailles et de Trianon
Theme
Historical figures
Maintenance
Store in a dry place
Material of the original work
Huile sur toile
Artist
Elisabeth Louise Vigée Le Brun (1755-1842)
Art movements
18th century, French paintings, Rococo
Reference
IS210017
EAN
3336728533825
Matière de l'article
Metal alloys
Editor
© Photo Château de Versailles
Conservation museum
Versailles - Musée des châteaux de Versailles et de Trianon

Recently viewed products

The work and its artist

Elisabeth Louise Vigée Le Brun (1755-1842)

Vigée Le Brun's self-portraits abound: paintings, pastels and drawings elegantly combine grace and feminine pride. As the Ancien Régime and its fine arts institution came to an end, the artist supplanted most of his portrait competitors. Her desire to overcome the constraints imposed on women artists allows her to develop a very personal technique and aesthetic criteria: she masters the science of colour and invents a whole range of poses and costumes that allow her to bring a great variety to her portraits and improvisations.