Rouen Cathedral, the gate, morning sun, Blue harmony (framed canvas)

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Print type

Framed Canvas

Framed Canvas

Giclee Print on Fine Art Giclee canvas mounted on a wooden frame and framed. For greater compliance with the original work, the print will cover the entire chosen format, the part of the canvas covering the sides of the frame remaining white. The frame consists of a wooden frame with a simple structure, the idea being to favor the work rather than the frame. We offer a choice of three finishes: natural wood, wood covered with a dark brown varnish and wood painted black. The reproduction will be shipped in protective packaging to be delivered in perfect condition.

Framed Canvas Framed Canvas Framed Canvas

About the Artwork

Rouen Cathedral, the gate, morning sun, Blue harmony

Rouen Cathedral, the gate, morning sun, Blue harmony

Original work by: Monet, Claude Original height: 91.00 cm Original width: 63.00 cm Period: période contemporaine de 1789 à 1914, 19e siècle Technic: huile sur toile Monet, Claude - Cathédrale de Rouen, le portail, soleil matinal harmonie bleue - huile sur toile © RMN-Grand Palais (musée d'Orsay)

Claude Monet (1840-1926) Landscapes 19th century Impressionism Musée d'Orsay

The work and its artist

Claude Monet (1840-1926)

Claude Monet (1840-1926)

Claude Monet (1840-1926) grew up in Le Havre where he painted landscapes of nature. After a stay in Paris, he moved to Argenteuil in 1872 where Renoir, Sisley, Manet, Pissarro and Caillebote joined him. Together, they organized an exhibition of the works denied by the Official Salon in 1874 where Monet presented 'Impression, rising sun'. The artist became leader of the Impressionnist art movement destined to capture natural light rather than trying to represent reality at its best. In 1883 he moved to Giverny, his place of creation and his artwork where he dedicated himself to painting his pond. He painted twelve artworks of the white water lilys as only subject for 10 years. At 49, the artist finally found success when he is acclaimed by the critics during a retrospective devoted to him by the gallery Petit.
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