Femme nue, enlaçant une figure à sa droite, étude pour Scène de guerre au Moyen Âge, dit à tort Les Malheurs de la ville d'Orléans (stretched canvas)

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Print type

Stretched Canvas

Stretched Canvas

Giclee print on Fine Art canvas mounted on a 2 cm thick wooden frame. For greater compliance with the original work, the printing covers the entire chosen format, the part of the canvas covering the sides of the chassis remains white. The reproduction will be shipped in protective packaging to be received in perfect condition.

Stretched Canvas

About the Artwork

Femme nue, enlaçant une figure à sa droite, étude pour Scène de guerre au Moyen Âge, dit à tort Les Malheurs de la ville d'Orléans

Femme nue, enlaçant une figure à sa droite, étude pour Scène de guerre au Moyen Âge, dit à tort Les Malheurs de la ville d'Orléans

Original work by: Degas, Edgar Degas, Edgar, Femme nue, enlaçant une figure à sa droite, étude pour Scène de guerre au Moyen Âge, dit à tort Les Malheurs de la ville d'Orléans Paris, Musée d'Orsay © Photo Rmn - GP (musée d'Orsay) - Th. Le Mage

Musée d'Orsay Edgar Degas (1834-1917)

The work and its artist

Edgar Degas (1834-1917)

Edgar Degas (1834-1917)

Famous for his dancers, Edgar Degas (1834-1917) is often considered one of the masters of Impressionism, despite defining himself as a realist and an independent. Fascinated by the study of movement, he attached himself to all the motives that represented life: dance, of course, but also horse races. Like his friend Manet, Degas was one of the great painters of modern life, coffee scenes, brothels, milliners, laundresses ... The work of this Parisian and bourgeois artist, very cultured and collector, is marked by his knowledge of the great masters.
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