Le Talisman, dit aussi Paysage au Bois d'Amour (détail) (framed art prints)

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Print type

Framed Artprints

Framed Art Prints

The frame consists of a wooden cast with a simple structure, the idea being to favor the work rather than the frame. The methacrylate we use has been specially selected for its durability, transparency and strength, which guarantee a quality close to that of glass without risk of breakage during transport.

  • Fine Art Giclée printing is done on special paper

  • Printed artwork to the dimensions you choosed and will also include a white border.

  • We offer a choice of three finishes: natural wood, wood covered with a dark brown varnish and wood painted black.

Framed Art Prints Framed Art Prints Framed Art Prints

About the Artwork

Le Talisman, dit aussi Paysage au Bois d'Amour (détail)

Le Talisman, dit aussi Paysage au Bois d'Amour (détail)

Original work by: Sérusier, Paul PAUL SÉRUSIER (1864 - 1927) Le Talisman, dit aussi Paysage au Bois d'Amour (détail), 1888 I Huile sur bois. H. 27 ; L. 21,5 cm I Paris, musée d'Orsay. Acquis avec la participation de Philippe Meyer par l'intermédiaire de la Lutèce Foundation, 1985 I © Photo musée d'Orsay, dist. Rmn-GP - P. Schmidt © Rmn-Grand Palais, Paris 2018.

Musée d'Orsay Paul Sérusier (1864-1927)

The work and its artist

Paul Sérusier (1864-1927)

Paul Sérusier (1864-1927)

Paul Sérusier is a French symbolist painter and one of the initiators of the Nabis movement. In 1885, he joined the Académie Julian, a private Parisian school of painting and sculpture created by the painter Rodolphe Julian (1839-1907). He is interested in orphism (the doctrine of ancient Greece based on the myth of Orpheus) or theosophy (religious syncretism according to which all religions contain some truth). The Nabis group was then joined by other artists such as Édouard Vuillard, but it lasted only about ten years. Dispersion took place around 1900.
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