White bear (acrylic panels)

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Print type

Acrylic Panels

Acrylic Panels

The reproduction is printed on FineArt Satin Paper and then encapsulated between a 3mm Dibond backing and a 2mm acrylic layer. This product offers a greater sense of depth and volume due to 'encapsulation'. FineArt Giclée digital printing is commonly used for the reproduction of works of art. It offers a very high durability thanks to the use of materials and inks based on natural pigments highly resistant to light and museum conservation.

  • Eco-responsible and recyclable

  • Product ready to hang, supplied with a wall hanging system Enhancement of colors, contrast and details of the work

  • Optimal print quality and glossy finishes

  • Easy to clean

Acrylic Panels Acrylic Panels Acrylic Panels

About the Artwork

White bear

White bear

Original work by: Pompon, François Original height: 163.00 cm Original width: 90.00 cm Period: période contemporaine de 1914 à nos jours Technic: sculpture (technique), pierre de Lens Pompon, François - Ours blanc - sculpture (technique), pierre de Lens © RMN-Grand Palais (musée d'Orsay)

Musée d'Orsay François Pompon (1855-1933)

The work and its artist

François Pompon (1855-1933)

François Pompon (1855-1933)

Son of a cabinetmaker, François Pompon entered the school of fine arts (Ecole des Beaux-Arts) of Dijon after having earned his living in Saulieu as a stone and wood worker. He studied architecture and sculpture and acquired basic knowledge in engraving.In 1874, he left for Paris and, thanks to contacts with contractors transforming Paris during the Second Empire, was able to produce decorative figures and caryatids for the façade of City Hall. For the next fifteen years, he worked as Rodin's assistant.It was only at the age of 67, with the 1922 Salon, that he attained success with the "White Bear".Especially known as a sculptor of animals, he exalted lyricism in light by polished surfaces with an economy of detail.After having been placed at the "Jardins des Plantes", the three hundred pieces bequeathed by F. Pompon were transferred to Dijon, at the Musée des Beaux-Arts.
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