Ancien Testament « Dieu crée les oiseaux », N°9, 1921 (framed art prints)

Choose color
Choose an atmosphere
{{ room.title }}
{{ new Intl.NumberFormat('en').format(dimensions.legend.w) }} {{ dimensions.legend.unit }}
{{ new Intl.NumberFormat('en').format(dimensions.legend.h) }} {{ dimensions.legend.unit }}

Framed Art Prints

The frame consists of a wooden cast with a simple structure, the idea being to favor the work rather than the frame. The methacrylate we use has been specially selected for its durability, transparency and strength, which guarantee a quality close to that of glass without risk of breakage during transport.

  • Fine Art Giclée printing is done on special paper

  • Printed artwork to the dimensions you choosed and will also include a white border.

  • We offer a choice of three finishes: natural wood, wood covered with a dark brown varnish and wood painted black.

Framed Art Prints Framed Art Prints Framed Art Prints

About the Artwork

Ancien Testament « Dieu crée les oiseaux », N°9, 1921

Original work by: Chauveau, Léopold Ancien Testament « Dieu crée les oiseaux », N°9, 1921, Chauveau, Léopold Paris, musée d'Orsay I © Rmn - Grand Palais, Paris 2020

The work and its artist

L. Chauveau (1870-1940)

Parallel to his work as a doctor, embraced by family obligation but which he did not appreciate, Léopold Chauveau took refuge as a self-taught artist in a strange artistic universe, as singular as it was original. At once a sculptor, illustrator and author of books for adults and children, he was long forgotten by art history, before a donation from his grandson to the Musée d'Orsay in 2017 (18 sculptures and 100 drawings) brought his name back into the limelight. An atypical personality, Chauveau was introduced to sculpture around 1905 when he had been practising medicine for several years. From 1907 onwards, monsters became a leitmotif of his production, in both sculpture and drawing. Hybrid, his creatures are often endearing, clumsy and as if surprised by their own presence. Seeming to come out of his unconscious, they constitute for Chauveau real companions, the people of an imaginary world in which he would find refuge.