Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres
Oedipus explains the enigma of the sphinx - Ingres

Engraving Oedipus explains the enigma of the sphinx - Ingres

KM006008

Jean-Auguste-Dominique Ingres, who was awarded the Prix de Rome in 1801, stayed in Italy until 1824. Painter with ancient references for whom drawing took precedence over colour, J. A.D. Ingres excelled in nudes, portraits and history painting.

The theme here illustrates a key episode in the history...

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Characteristics

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Eviter toute source d'humidité et de lumière directe. Ne pas plier la feuille
Museum
Musée du Louvre
Themes
Mythology, Made in France
Dimensions
38 x 56 cm
Printing Technique
Eau-forte, burin
Artist
Jean-Auguste Dominique Ingres (1780-1867)
Art movement
19th century
Reference
KM006008
EAN
3336727372579
Editor
Ateliers d 'art de la Rmn-GP
Conservation museum
Paris - Chalcographie du musée du Louvre

Care instructions for engravings

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(2) Jean Auguste Dominique Ingres (1780-1867)

Jean-Auguste Dominique Ingres (1780-1867)

With a sculptor, ornamentalist and miniaturist father, Jean Auguste Dominique Ingres grew up in an environment conducive to the development of his talents as a draftsman. He began his studies at the Royal Academy of Fine Arts in Toulouse, and perfected his skills with the painter Jacques-Louis David. The latter introduced her to the neoclassical movement, a movement that would inspire her throughout her life. His painting "Les Ambassadeurs d'Agamemnon" earned him the Prix de Rome in 1801. A few years after this success, the painter continued his teaching at the Villa Médicis. His works were the subject of numerous criticisms in Paris and forced him to extend his stay in Italy. It was only in 1824 that his painting, the "Vow of Louis XIII", became known for his painting.
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