Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres
Portrait of Paganini, violinist and composer - Ingres

Portrait of Paganini violinist and composer - Jean Auguste Dominique Ingres

KM006788

Portrait of violinist and composer Niccolò Paganini, engraved by Louis Lenain after a work by Jean Auguste Dominique Ingres.

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Characteristics

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Maintenance
Eviter toute source d'humidité et de lumière directe. Ne pas plier la feuille
Printing Technique
Aquatinte, pointe-sèche
Artist
Jean-Auguste Dominique Ingres (1780-1867)
Art movement
19th century
Dimensions
33 x 25 cm
Engraving date
1873
Museum
Musée du Louvre
Themes
Portrait, Made in France
Reference
KM006788
EAN
3336727379790
Matière de l'article
Hahnemühle paper
Editor
GrandPalaisRmn Ateliers
Conservation museum
Paris - Chalcographie du musée du Louvre

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(2) Jean Auguste Dominique Ingres (1780-1867)

Jean-Auguste Dominique Ingres (1780-1867)

With a sculptor, ornamentalist and miniaturist father, Jean Auguste Dominique Ingres grew up in an environment conducive to the development of his talents as a draftsman. He began his studies at the Royal Academy of Fine Arts in Toulouse, and perfected his skills with the painter Jacques-Louis David. The latter introduced her to the neoclassical movement, a movement that would inspire her throughout her life. His painting "Les Ambassadeurs d'Agamemnon" earned him the Prix de Rome in 1801. A few years after this success, the painter continued his teaching at the Villa Médicis. His works were the subject of numerous criticisms in Paris and forced him to extend his stay in Italy. It was only in 1824 that his painting, the "Vow of Louis XIII", became known for his painting.
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