Limited editions

Saint Michael slaying the dragon

KMU00536

This engraving, printed from the original plates at the Louvre's Chalcography Workshop, recreates the biblical scene painted by Raphael. With this work based on Raphael's painting-printed on Hahnemühle paper in a 56 x 38 cm format-the Chalcography Workshop is offering a limited edition of ten numbered copies.

The work reproduces Raphael's original composition, commissioned in 1518 by Leo X for Francis I. This "Great Saint Michael," housed at the Louvre alongside the "Little Saint Michael," illustrates the Book of Revelation: in it, the winged archangel in armor slays the dragon embodying Satan.

Statues, sculptures, and other depictions of Saint Michael
At the summit of the Mont-Saint-Michel Abbey, the gilded statue created by Emmanuel Frémiet in 1897 stands over four meters tall. There, the archangel brandishes his sword to slay the dragon, protecting this iconic site founded in the 8th century.
This motif has also found its way into tattoo art, where it is prized as a protective talisman. It embodies courage in the face of adversity and the universal victory of good over the forces of darkness.

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Saint Michael slaying the dragon

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Characteristics

Delivery
Order dispatched directly from Ateliers d'Art within 3 weeks
Printing Technique
Burin
Copper plate size
43,5x25,6
Theme
Made in France
Maintenance
Eviter toute source d'humidité et de lumière directe. Ne pas plier la feuille
Size of the sheet
H. 56 L. 38 cm
Artist
Raffaello Sanzio, dit Raphaël (1483-1520)
Art movement
Renaissance
Reference
KMU00536
EAN
3336729195596
Matière de l'article
Hahnemühle paper
Model dimensions
38cm x 56cm
Editor
Ateliers d'art de la Rmn-GP
Original work kept at
Paris, musée du Louvre
  • International delivery

  • 14 days to change your mind

  • Secure payment: CB, Visa, Mastercard, Amex, Paypal

The work and its artist

Raffaello Sanzio, dit Raphaël (1483-1520)

Raffaello Santi or Sanzio, known as Raphael, a painter of the High Renaissance, is the son of the official painter of the court of the Duke of Urbino, Giovanni Santi. His style is characterized by an almost equal use of drawing and colour because, unlike many painters, he does not let one dominate the other; he is as precise in the line as in the distribution of colours as in the vanishing point.