New

Lamp Paul Cézanne - Rocks Near the Caves above Château Noir

CB600059

This lamp is illustrated with a detail of the work Rocks Near the Caves above Château Noir by Paul Cezanne.

Paul Cézanne (1839 - 1906)
Rocks Near the Caves above Château Noir, ca. 1904
Oil on canvas. H. 65,5 ; L. 54,5 cm
Dation, 1978

-{{ Math.floor(lowestprice.prices.user.percent) }}%
-{{ Math.floor(selectedVariant.prices.user.percent) }}%
From Current price{{ lowestprice.prices.user.price_tax_display }} Old price{{ lowestprice.prices.user.price_strike_tax_display }} Current price{{ lowestprice.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ lowestprice.prices.suggested.price_tax_display }} Old price{{ lowestprice.prices.suggested.price_strike_tax_display }}
excl. taxes
Current price{{ selectedVariant.prices.user.price_tax_display }} Old price{{ selectedVariant.prices.user.price_strike_tax_display }} Current price{{ selectedVariant.prices.user.label }}
{{ price.price_tax_display }} {{ price.label }}
Public price Current price{{ selectedVariant.prices.suggested.price_tax_display }} Old price{{ selectedVariant.prices.suggested.price_strike_tax_display }}
excl. taxes
Last available items
Sold by GrandPalaisRmn

Characteristics

Museum
Musée d'Orsay
Art movement
Impressionism
Artist
Paul Cézanne (1839-1906)
Reference
CB600059
EAN
3336729323470
Matière de l'article
Pvc
Model dimensions
29cm x 12cm

Our selection

Home Decor

The work and its artist

Paul Cézanne (1839-1906)

Born in France, he studied painting at the Swiss Academy and forged links with the future Impressionists. In 1886, Zola, his friend Zola, dates him, uses him as a model to describe a failed painter. This is the end of their long friendship. On the other hand, he still has a very good relationship with Pissarro, whom he worships as a master: he works with him for two years but in 1877, he splits off from this movement. His research made him the precursor of cubism: drawing and colour became inseparable from the arrangement of the painting, which was organized from the inside.